Although the Chinese American community has always strived to be good citizens, history has shown that they have not been treated fairly and need to let their Congressional leaders know that their service to our country needs to be recognized. Like many minorities, Chinese Americans overcame discrimination to serve their country bravely and honorably and we need to encourage the Congress to act favorably on this proposal to commemorate the service of these Chinese American veterans.
The subject of Pat Hui’s recent annual art exhibit held at the studio she shares with her partner Paul Kwok at the Traffic Zone Gallery in Minneapolis, was “Su Shi, (Dong Po) 1037-1101,” Su was one of China’s most celebrated poet, essayist and calligrapher. “For the past 60 years, I have collected copies of the calligraphy scripts and copied his style of writing,” stated Hui. In the past 35 years, she has formed her own style of incorporating poetry, painting and calligraphy: The Three Perfections. All the works in Hui’s exhibition were organized to commemorate the 980th birth year of Su Shi, aka Su Dong Po. It features works such as the immortal works of the “Red Cliff” poem I and II, the Cold Food Festival script and many others.
According to multiple resources such as Encyclopedia Britannica and Wikipedia, references used in this article, it has been documented that Su emerged as one of the most prominent poets in Chinese history amidst the political bickering of the Northern Song Dynasty (960-1127). Su, also known as Su Dong Po, has since become renowned for his warm, detail-oriented poetry that has inspired Chinese through the ages.
With the start of more spring-like weather, Phase 2 of the Chinese Garden at the Arboretum is moving forward, following the successful installation of the Phase 1 Chinese Garden Pathway and viewing area, and Asian-inspired plantings in fall, 2016. In early May, construction of the Moon Gate that will grace the entry into the Chinese Garden and Walk commenced.
A special design feature is the Chinese calligraphy that will accompany the Moon Gate. The calligraphy, created by Hong Zhang, international artist and master calligrapher, and faculty member at the University of Minnesota. Zhang serves on the community advisory committee for the Chinese Garden & Walk. The inscription for the moon gate translates to “Garden of Harmonious Beauty.”
Other Phase 2 elements planned for the Chinese Garden include teak benches for family memorials and tributes, in Asian-inspired designs. (Memorial benches are also offered at other display and specialty gardens.)
A dedication ceremony for the newest Phase 2 features of the Chinese Garden is planned for September.
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It was obvious that this topic was of interest to many who attended the 16th Annual Bob and Kim Griffin Building U.S.-China Bridges lecture held recently at McNamara Alumni Center at the University of Minnesota. The speaker was James McGregor, author and Greater China chair for APCO Worldwide, an international PR firm.
Prior to the lecture, Joan Brezinski, executive director of the China Center and Confucius Institute, introduced Robert Kudrie, Orville & Jane Freeman chair in International Trade & Investment Policy, Humphrey School of Public Affairs. In his introductory remarks, Kudrie noted that trade is the central cause of pain for the U.S. and more than 6 million jobs have been lost from 2000-2010 while output still managed to increase. As he introduced McGregor, Kudrie stated that the lecture would be about the future and not the past, and what the options are for now.Add a comment
May is Asian Pacific American Heritage Month, a month that celebrates and pays tribute to the contributions generations of Asian Pacific Americans have made to American history, sciences and culture.
Like most commemorative months, Asian Pacific American Heritage Month originated in 1978 when Congress passed a law directing the president to issue a proclamation designating the week beginning on May 4, 1979, as Asian Pacific American Heritage Week. On March 28, 1979, President Jimmy Carter issued Presidential Proclamation 4650, which highlighted the significant role Asian Pacific Americans have contributed to American society.
By Michael Anthony | 09/16/16 This article by Michael Anthony was originally published in MINNPOST and is being reprinted with their permission
Photo by Cory Weaver - San Francisco Opera's production of "Dream of the Red Chamber."
“Who would have thought that this little group from Minnesota would have generated a major world premiere? It’s unbelievable.”
Kevin Smith, president of the Minnesota Orchestra, was speaking to 119 guests at a banquet last Friday, Sept. 9, in the suburban town of Millbrae just south of San Francisco. The banquet, during which an army of waiters delivered a seemingly limitless round of Chinese delicacies – deep-fried milk, sea cucumber, bird’s nest soup, Peking duck – was a prelude to the main event the next evening, the premiere of “The Dream of the Red Chamber,” an operatic treatment by the San Francisco Opera of one of the landmarks of Chinese literature with music by Bright Sheng and libretto by playwright David Henry Hwang.